Rogue Illustration #13 ~ Tyrone

So last week my two works collided, Fashion and Finance. At the end of the day I peered out my window into the park to see a man dressed in the most vibrant colors. What was he doing as he sat at the picnic table? Well, he was drawing fashion illustrations of course.

So you know he had to become a Rogue Illustration.This perfectly glorious peacock deserved to be drawn. I immediately picked up my pencil and did a quick sketch and made notations of all his little details. Then I could go home and make him as colorful and glorious as he appeared in the park.

Since I began my Rogue Illustration series I have been threatening to talk to the people I randomly draw. Can you guess what I actually did? On my way out the office I went down and introduced myself and showed him my quick sketch and got a sneak peep of his designs. Bashfully he shared what he called “doodles”. They were as colorful as he was. And of course I was so excited to actually shake hands with hug a person I was intending to draw I forgot to check a few of the minor details I couldn’t suss from my office perch. Was there a  yoke on the front of his gingham shirt? Did the pockets have flaps? etc. Oops! I did manage to realize he was wearing oxfords not loafers. So without further ado I would like to introduce you to Tyrone in his technicolor splendor.

Tyrone Web

Rogue Illustration ~ #12 King’s

RI-Kings wweb

There was something so chic about this gal with her nude flats and loose chignon standing there before me in line for her French patisserie fix. But it was her sweatshirt from King’s Bar and Grill with their fabulous bulldog logo that made her a shoe-in to become a Rogue Illustration candidate. Just an edge of Sass, I bet she could knock em back with the boys.

Cuban Breeze

Fav things 3

I was purusing Gruau: Portraits of Men by Réjane Bargiel . René Gruau became one of the most respected  and influential fashion illustrators between the 1950s-80s. Though known for his expressive images of  women, this book explores the artist’s portraits of men, which  redefined the modern idea of confident, masculine elegance.

 For me the cover art serves as the inspiration for an easy breezy must have outift.

And in case you were wondering this is what would be playing in my ears.

New Romantics ~ Vogue Australia


Title: New Romantics
Magazine: Vogue Australia March 2012
Model: Imogen Morris Clarke
Photographer: Max Doyle
Stylist: Meg Gray

This last one is my favorite. I think it should be titled “calling it quits” or “Skeletons”. The whole photoshoot especially the third photo brought my drawing Thistle and weeds to mind.

The Weekend 6/1/12~ Favorite Things #1

Heading into the weekend I compiled some favorite things for you to discover.

Once Again Ms Newton you have made my week ordering two more prints for your granddaughters. No really perhaps my year.

So this weekend is short and sweet. I have reconciliation nipping at my heels. The day job calls.

Paris in Love: A Memoir

~ Book by Eloisa James chronicling her Sabbatical spent in Paris from her job as a Shakespeare Professor. Yes Please…..take me away vicariously. Besides anything with coverart by Sophie Griotto…enough said.

Necklace

~ Strands of coral and Turquoise clasp.

Bag

~ Good for airport travel and carrying art supplies around. 

White Shirt

~ Seriously who doesn’t need a good white shirt. This one is just lovely. 

Maxi

~ Too fun! 

Soundtrack

~ In honor of the late Donna Summer make this your summer poolside inspiration. 

Flats

~ Perfectly Parisian indeed. These just might be a must buy. 

Scent

~ Signature Scent

DCToolbox-Personalized Croquis

In Croquis Part II I showed how fashion illustrations distort and elongate the human figure. This creates a great visual effect but when it comes to actual designs we draw to scale. So, what if you drew true-to-life scaled drawings of your clients. Perhaps many of you already do.

I’ve found it especially helpful when doing custom work. I’m able to communicate my ideas more clearly and the client can visualize the design more accurately. Often understanding changes I’ve suggested tackfully pulling them out of their comfort zone/regular fashion choices.

One of the most important elements in design is proportion. By drawing a custom croquis you are able to create a harmony between the design and your individual body proportions. Ultimately producing more flattering designs

In theater school the Costume Design teacher use to draw sketches of the students as their characters. I enjoyed the realism in the details.  I could visualize each of my fellow actors as the characters they were playing.  Here are illustrated examples of drawings by Jacqueline West for Water for Elephants. You get the idea.

Most of us are 8 heads tall. In Croquis Part II, I shared the rules for drawing the average proportions of the eight head figure: the chin falls at 1, the bust line at 2, the elbow & waist at 3, hipline at 4, fingers tips at 5, knee at 6 and heel at 8.  The shoulders are 1 ½- 2 heads wide, waist is 1 head, and hips 1.5 heads.  Now this is the ideal or the average. Most of us don’t have the ideal proportions or even distributions of models. You’ll find that every person is unique.

Carl Jung wrote “The most terrifying thing is to accept oneself completely.”  This is personified in this day and age where the ideal beauty is so far from the reality of the average. So today let’s apply the principles of drawing a person true to scale.
 

How to Draw A Custom Croquis:

First, to create our template we must take some measurements. Using a tape measure I start at the crown of the head. First I measure the head (the basic building block).

Next I note where the pivotal points of the body fall. I.e. where do the shoulders break, high point of the bust, bust point, waist, belly button, high hip, hip, knees, ankles, etc.? Then I measure the width of the shoulders, bust, waist and hips.

Once I have all my measurements noted I begin drawing my scaled template. When drawing a custom croquis I use a scale of 1/8” to represent 1”. As a working example I drew a scaled figure of fellow designer and NYFA student Gina Moorehead.

Gina is 5’ 4” or 64”. So using the only ruler I can’t live without  I draw a line 8 inches long (math review 64”/ 8 = 8”). If I were drawing myself at 6’ 1” or 73” I would draw a line 9 & 1/8” long. These measurements are true to scale and barefoot. Later I can adjust my figure to add heels as high as I would like them to be.

So once I have my 8” line I go back and mark the important points from the measurements I took on the template. These are indicated in Red. Notice that I draw the shoulders, bust, waist and hip lines indicating their width. For the other areas I make small tick marks. Once these are in place I begin to flesh out the figure.

*note you can always draw one half of the figure then fold the paper on the centerline and trace the other side so they are identical to one another. Placing tracing paper over your template makes this even easier.

Once the front view is completed place another piece of paper over top and trace the outline of your figure. From here you can draw the back view.

Now I like to ink them and add various design lines to the croquis figure. I also created a side view and added heels. Here are some other peoples custom croquis images/tutorials  I came across online Here & here & here & here & here & here . I think you get the picture.

Finally you are ready to draw your designs. You will get a much more accurate idea of what styles work for your body type. So go forth and draw yourself, your friends, and your family. Enjoy!

Image: (1) Acceptable  (2) Fabulous Doodles  (3) Simply Luxurious Life (4-7) DCTdesigns